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Welcome to ARCHNET, an open access, interdisciplinary, intellectual resource focused on the built environment of Muslim societies.Focused on the built environment of Islamic civilizations past and present, we seek to:<ul><li>Facilitate excellence in scholarship and professional work by&nbsp;providing reliable information and ready access&nbsp;to vetted, high-quality textual and multimedia resources&nbsp;focused on architecture, urbanism, environmental and landscape design,&nbsp;heritage&nbsp;conservation, economic and environmental sustainability, community development and resilience in the face of rapid change, and related topics.</li><li>Enable teaching and learning in these domains by providing educators with reliable, effective pedagogical material and teaching aids.&nbsp;</li><li>Serve as a platform through which scholars, practitioners, and institutions can bring their work to new global audiences.&nbsp;</li><li>Promote intercultural understanding and dialogue through reliable, high-quality, peer-reviewed material on the diversity of and pluralism within Muslim societies and the interaction between Islamic and other religious, cultural, and philosophical traditions as it relates to architecture and urbanism.</li><li>Enable easy access to a wide variety of resources via a custom-built, web-based, mobile-friendly platform optimized to minimize financial, infrastructural, linguistic, and other barriers to access.&nbsp;&nbsp;</li></ul>Launched in 2002 after several years of development, ARCHNET is a pioneering digital resource that has proven a reliable authority on the built environment of Muslim societies, past and present.&nbsp;ARCHNET is a partnership between the <a href="https://www.archnet.org/collections/1342" rel="noopener noreferrer" target="_blank">Aga Khan Documentation Center, MIT Libraries</a> (AKDC@MIT) and the <a href="https://www.archnet.org/authorities/1903" rel="noopener noreferrer" target="_blank">Aga Khan Trust for Culture</a> (AKTC), with support from the <a href="https://www.archnet.org/collections/50" rel="noopener noreferrer" target="_blank">Aga Khan Program for Islamic Architecture</a> at Harvard and MIT.&nbsp;ARCHNET is developed and maintained by <a href="https://www.performantsoftware.com/" rel="noopener noreferrer" target="_blank">Performant Software Solutions</a>.

About

Bukhara 

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IAA705769

place

landscape

garden

Uzbekistan

Nodir Devonbegi Xonaqohi

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IAA1017

Ko'kaldash Madrasasi

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IHU0071

Nodir Devonbegi Madrasasi

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IAA18465

Import

Arun Rewal

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IHU0074

Labihovuz Ansambli

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IHU0104

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IHU0105

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IHU0106

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IHU0107

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IHU0108

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IHU0109

Recipient of the Aga Khan Award for Architecture in 1995.<div> </div><div>The old city of Bukhara was founded 2,500 years ago. Within its ancient city walls and gates are 500 standing monuments: they include 24 madrasas, 48 mosques, 14 caravanserais, 9 mausoleums, 4 trading domes, the Ark citadel, and many hammams, old houses, and canals. The restoration programme began in the late 1960's under the USSR, and has been continued by Uzbekistan since its independence in 1990. The primary aim is to conserve the major monuments and landmarks in the centre of the old city, and to re-integrate them into the life of the bordering districts. Because most of the upgraded mosques, madrasas, mausoleums, and other monumental structures are no longer used as such, a new function was found for each. Some madrasas, for example, have been turned into craft centres, studios, and galleries. One has become a restoration institute where future restorers are trained. Other structures have had their old functions renewed. A caravanserai is once again a silk and cloth warehouse, and trading domes are renewed as active suqs. Among the great landmarks restored are the Samanid Mausoleum, the Mir-i Arab Madrasa, and the Kalyan Minaret. To open up the old centre, thereby allowing the monuments to be better seen, mediocre buildings of the 1950's were removed. Utilities have been upgraded, and the streets paved. Old Bukhara, no longer a derelict slum, is now a viable prosperous city. The jury believes that "the restoration of Bukhara sends a very strong message to the rest of the Islamic world of the need to restore and re-integrate old cities into new ways of life." Source: Aga Khan Trust for Culture</div>

Bukhara Old City Restoration

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IAA18447

لب حوض

Original

Lab-i Hawz

Transliterated

Lab-i Hauz

Alternate transliteration

Lab-e Hauz

Labi-Hauz

Lab-i-Khauz

Ляби-Хауз

Vernacular

Labi Hauz Ensemble

Translation (English)

Lab-i Hawz Complex

حوض نادر دیوان بیگ

Alternate

Hawz-i Nadir Divan Beg

Hauz-e Nader Devan Beg

Nadir Divan Beg Pond

For more information see: <a href="https://www.archnet.org/collections/2377" rel="noopener noreferrer" target="_blank">Timeline: Timurid</a> Central Asian dynasty founded by Timur which flourished from the end of the fourteenth century to the end of the fifteenth. &nbsp;&nbsp;&nbsp;&nbsp;Timur was born a member of the Barlas tribe and claimed descent from the Mongol Khan Chatagay. By 1370/771 AH Timur had gained control of Samarkand and Balkh after which he spent ten years consolidating his control of Central Asia. From 1381/782 AH Timur extended the range of his operations and managed to gain control of Iran, Iraq, Syria, the Caucasus and Delhi. In 1402/804 AH Timur's excursions into Anatolia brought him into conflict with the Ottoman sultan Bayazit whom he defeated and captured at the battle of Ankara. One of the results of these wide-ranging conquests was the collection of skilled craftsmen from all over the Middle East who were used to enrich the new capital at Samarkand. Timur died in 1405/807 AH and was succeeded by his son Shah Rukh who ruled the empire from Herat where he had been governor during the reign of Timur. Samarkand was ruled by Shah Rukh's son Ulugh Beg whilst Fars was ruled first by his nephew Ibrahim. By the mid-fifteenth century the western provinces were mostly lost to the Turkmans leaving Herat as capital of a much diminished empire which continued until 1507/912 AH when it was taken over by the Turkmans.&nbsp;&nbsp;&nbsp;&nbsp;The best preserved Timurid structure in Herat is the shrine of the mystic of Khwajeh 'Abdallah Ansari at Gazur Gah. The complex is built on the plan of a four-iwan madrassa and oriented to the qibla (i.e. east-west) with the entrance in the centre of the west facade. The entrance portal consists of a large iwan, half-octagonal in plan, leading into the rectangular central courtyard. There is a mosque and cells for mystics at the western end, whilst at the eastern end is a shallow iwan set into a tall pishtaq.&nbsp;&nbsp;&nbsp;&nbsp;The main building material employed for imperial monuments was baked brick although dressed stone was used in Azerbayjan. The standard brick form was square (24-27 cm per side and 4-7 cm thick) whilst cut or moulded bricks were relatively rare compared with earlier periods. Mortar was usually quick-setting gypsum plaster rather than the more common lime plaster. The standard method of exterior decoration was tile revetments which were on a larger scale than in previous periods. Two main forms of tilework were used, tile mosaic, with individual coloured pieces cut to form patterns, and underglaze-painted tiles known as 'haft rangi' (seven colours). The underglaze-painted tiles tended to be of a lower quality but were useful for covering large areas.&nbsp;&nbsp;&nbsp;&nbsp;A large variety of arch forms were used including round, two-, three-, and four-centre arches, although the most common was the three-centred arch with a high crown, where the height of the arch was more than half the height of the entire opening. A large variety of domes and vaults were employed which displays the wide range of influences in Timurid architecture. One of the most significant vaulting forms employed was based on the use of wide transverse arches spanning between parallel walls. Vaults of various forms were then built to cover the area between each transverse arch to produce a large vaulted area. The vaults used to span the arches included tunnel or barrel vaults, stellar vaults and cross vaults, all of which produce characteristic humps on the roofs of buildings.&nbsp;&nbsp;&nbsp;&nbsp;Dome forms became increasingly distinctive under the Timurids with the development of double-shell domes where there is an outer dome and a shallower inner dome. The characteristic outer dome form consists of a tall 'melon-shaped' structure set on a high drum and decorated with ribs covered in decorative tilework.&nbsp;&nbsp;&nbsp;&nbsp;The most characteristic feature of Timurid imperial buildings is their massive scale, emphasized by huge entrance portals and thick minarets covered in tile decoration. Internally the buildings are slightly less well organized and they often have a large variety of smaller rooms whose relationship to the overall plan is not always evident.&nbsp;&nbsp;&nbsp;&nbsp;The most famous of the Timurid monuments are the shrine of Ahmed Yasavi at Turkestan (Yasi) in Khazakstan and the Masjid Jami' at Samarkand. The monuments are quite similar in their scale and conception with huge portal iwans behind which rise characteristic melon-shaped domes on high collars or drums. The Ahmed Yasavi tomb was built by Timur for his son Jahangir whilst the Masjid Jami' at Samarkand was built to commemorate the Timurid capture of Delhi. Other monumental projects carried out by Timur include the mausoleums at Shahrisbaz (his first capital) for his father Taraghay and the Gur-i-Amir for his son Muhammad Sultan at Samarkand. In addition Timur undertook massive civil engineering projects including building the towns of Baylaqan, Shahrukhiya and Iryah, the citadels and walls of Ghazui, Balkh and Samarkand.&nbsp;&nbsp;&nbsp;&nbsp;The later Timurid buildings of Herat in Afghanistan mirror those of the early Timurid Empire, although many were destroyed in the nineteenth century. One of the most celebrated buildings in Herat was the mosque and madrassa built by the architect Qavam al-Din for the wife of Shah Rukh. Little is left of the complex except for two minarets at diagonally opposite corners of the mosque and a minaret and iwan from the madrassa. Petersen, Andrew.&nbsp;Dictionary of Islamic Architecture. London and New York: Routledge, 1999.

Labihovuz Ansambli
Bukhara, Uzbekistan

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Labihovuz Ansambli
Bukhara, Uzbekistan

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Labihovuz AnsambliBukhara, Uzbekistan

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Labihovuz Ansambli
Bukhara, Uzbekistan